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Members of @c: Miguel Carvalhais, Pedro Almeida, Pedro Tudela
This performer (group) in the Internet:

Discography of @c:

# Release title Total tracks Type of audio release Imprint date Label
1 Hard Disk 8 Track list 2003-02-07 Crónica
2 v3 10 Track list 2004-04-00 Crónica
3 + 7 Track list 2001-11-00 Variz
4 Product 04 4 Track list 2004-12-00 Crónica
5 Folio, Re-compiled Compositions 2003 & 4 9 Track list 2005-04-00 Fuga Discos
6 48 3 Track list 2005-05-00 Ristretto
7 42/44 2 Track list 2006-01-00 Silence Is Not Empty
8 Study 7 Track list 2006 Grain Of Sound
9 48EDE 3 Track list 2008-05-00 Ristretto
10 Live At Atlantic Waves 2007 3 Track list 2008 Crónica
11 Blues 3 Track list 2007 Crónica
12 Live At Rua Do Rosário 141, Porto 3 Track list 2006 Crónica
13 Laptop Non Stop @ Universidade Católica Do Porto, Part 2 3 Track list 2005 Crónica
14 Live At Offf 2008 3 Track list 2009-01-02 Crónica
15 0°-100° 8 Track list 2010-07-00 Monochrome Vision
16 Re:Fujaco 3 Track list 2012-09-21 Galaverna
17 Re:Fujaco 3 Track list 2012-09-21 Galaverna
18 Live At Opensound 3 Track list 2012-11-03 Crónica
19 Half-Life, Still Life 3 Track list 2013-04-12 Crónica
20 Live At Natal Dos Experimentais 2012 3 Track list 2013-06-10 Crónica
21 Ab Ovo 6 Track list 2014-01-06 Crónica

Working together since 2000, @c started as a trio and later shrank to a duo that ocasionally re-expands to an audiovisual trio when performing with the Austrian artist [url=]Lia[/url]. The musical work of @c is developed in the cross-section of three complimentary approaches to sound art and electronic music: algorithmic composition, concrete sounds and improvisation. If on one hand their compositions are usually built around strong structural foundations, it's also common that multiple bits are freed from these structures when integrated into the sound work, contributing to the settling of elaborate strategies of deconstruction. Improvisation, either in dialogue or discussion, is central to @c's performances, as is the will to create open compositions and to nurture ongoing processes that digitally amplify sound realities. The creation of cross-links between referrals and memories plays with the balance between reconnaissance and abstraction. Pedro Tudela is a plastic artist and a musician and teaches at the Painting Department of the Faculty of Fine Arts, University of Porto (FBAUP). Miguel Carvalhais is a designer and musician and teaches at the Design Department of FBAUP. Since 2000, they cooperatively run the media label [l13036].

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